I Often Sit by My Window began when I wondered the relation between impermanence, repetition, and the shifting nature of presence which later led to question art ownership and the privilege of longevity. For DODO Magazine March issued by Royal College of Art, a 300 unique, hand-drawn sketches of my window view was drawn to circulate as part of 300 copies of. It's an experiment in letting go, observing how art dissolves into shared spaces observing how authenticity and anonymity functions.